#04
The Page
> still
That is all that is on the page. No other words.
No other lines. The pen is held lightly, having just made the final letter. In soft background: August at the kitchen counter, in profile, making tea — soft white hair, the gold-rim glasses, a soft sage cardigan. The lamp on (it is morning; the lamp is still on, as it has been since 6:58 AM). The chipped cup is on the counter beside the teapot. Nine (the cat) is on the chair across the room, in a small patch of morning sun. The wall (seven framed things) is visible to the left in the background. Expression on Jan: *the softly-settled, present, the brand's final face face* — soft warm direct eyes (looking up from the page, briefly), neutral-soft brows, the small contained almost-smile that is the brand's final-pack expression.
Sunday morning, late May. 7:14 AM. The notebook opens. I uncap the pen — the black Uni-ball, fine tip, the same as always — and write one word in the middle of the page. I didn't plan it. Six minutes of looking at it. Still is the verb of being kept-the-way-one-is. Still is the adverb of the continuing. Both at once. The lamp was on. The chair was frayed. The cup had seven chips. I hadn't kept any of it perfectly — scuffed, worn, lived-in, loved because of that. Capped the pen. Closed the notebook. August in profile at the counter, making tea. This afternoon, at four, the lamp would be on.
Still.
> Sunday. Four. The lamp. Still.